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1. Product Description. Gramophone Award-winning harpsichordist Mahan Esfahani presents Rameau's Pieces de clavecin, recorded in the historic setting of the Music Room at Hatchlands Park in Surrey. This double album comprises the whole of Rameau's output of keyboard suites, and Esfahani rejoices in it's wealth of genius, it's excitement and drama/5(4).

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2. - Premier Livre De Pièces De Clavecin () - Pièces De Clavecin () - Nouvelles Suites De Pièces De Clavecin (c)4/5(1).

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3. Favourites,Jean Philippe Rameau. Katherine surveys new and forthcoming releases marking the th anniversary of the French composer's death. Gramophone-Award-winning harpsichordist Mahan Esfahani has recorded Rameau’s Pièces de clavecin in the historic setting of the Music Room at Hatchlands Park in Surrey.4/5.

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4. tiamensunsdesksilug.elcoaclimunmepbackpowshuduntilesut.co: Achetez Rameau: Intégrale des Pièces de Clavecin. Esfahani au meilleur prix. Livraison gratuite (voir cond.). Découvrez toutes les promotions CD & Vinyles, les nouveautés ainsi que les titres en précommande/5(4).

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5. Product Description. Gramophone-Award-winning harpsichordist Mahan Esfahani has recorded Rameau's Pièces de clavecin in the historic setting of the Music Room at Hatchlands Park in Surrey. This is a masterclass for the instrument, confirming this young artist as a truly great player: in the words of International Record Review his technique is beyond criticism and his inherent musicianship goes /5(5).

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6. Gramophone Award-winning harpsichordist Mahan Esfahani presents Rameau's Pieces de clavecin, recorded in the historic setting of the Music Room at Hatchlands Park in Surrey. This double album comprises the whole of Rameau's output of keyboard suites, and Esfahani rejoices in it's wealth of genius, it's excitement and drama.

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7. Rameauのクラヴサン独奏曲を収めたCD。年生まれのイラン出身のクラヴサン奏者Mahan Esfahani氏演奏。 本CDでのMahan Esfahani氏の演奏は曲にもよるが、総じてテンポは速い。 私はRameauのこの曲集には愛着が非常に強く、寛いで聴きたいという気持ちが強いので、.

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8. “Mahan Esfahani’s second Hyperion recording comprises Rameau’s keyboard works. This is stylish playing but rarely showy, firm but never heavy in dance movements, imbued with a natural wit in the character pieces. I could easily have picked his delightful disc of C. P. E. Bach’s Württemberg Sonatas as well.” David Allen, The New York.

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